Infinite Virtue :: William Shakespeare Antony Cleopatra Essays

immeasurable VirtueIV.viii of Shakespeares Antony and Cleopatra is a short scene, less than 40 lines, and an entirely unforeseen one. The preceding scenes of Act IV, such as Hercules departure and Enobarbus desertion, heavily annunciate Antonys defeat. When Antony wins his battle against Caesar and returns to Cleopatra in IV.viii, the joy of their reunion contrasts with the desp pipeline of Act IV. Antonys supremacy is a strike against fate and a tribute, albeit short-lived, to the power of Egypt.The association of royalty and divinity was a common tradition not limited to the Elizabethans public picture. In this scene, Antony portrays Cleopatra as a goddess, revealing her connection not exclusively to the macrocosm but also to the more specific functions of the love goddess Isis. Cleopatra is a great fairy (IV.viii.12), able to bless (IV.viii.13) soldiers with her speech. As the day othworld (IV.viii.13) who exit ride (IV.viii.16) in Antonys heart, she more particularly rese mbles a sun deity, see by the Egyptians as riding in a barge and by the Romans as in a chariot. Cleopatras association with the day continues up until her goal Charmian recognizes that the bright day is done/and we are for the dark (V.ii.192-3) and Cleopatra sees that her lamp is spent (IV.xv.89). In Act V, the connection is morbid, but here it is vibrant and positive. Yet in both death and life, the close relationship of Cleopatra and Egypt to fire and the higher elements is omnipresent Antony swears by the fire/that quickens Nilus slime (I.iii.69-70) Cleopatra before her death is fire and air (V.2.288) your serpent of Egypt is bred...by the operation of your sun (II.vii.26-7) That fire should so often be linked to life is unsurprising, given the common connection between arouse and sex, just as the heart where Cleopatra will ride has long been a bellows (I.i.9). Also present is an idea of vital heat, as when Cleopatra invites Iras to take the last warmth (V.ii.290) of her lips before her suicide. Whether fortunate or not, Cleopatra is a spirit of vitality.Even Antony gets a taste of residual divinity, perhaps from Cleopatras having dressed to kill(p) him he is infinite virtue (IV.viii.17) and lord of lords (IV.viii.16), echoing the prophecy that the give birth shall overcome the ten kings, for he is Lord of lords and King of kings (Revelation 1714). In fighting for Egypt Antony momentarily wrests conquering fate from Octavius, whose statement that the time of widely distributed peace is near.