Fear

The conflict between mature and malefic in the fictionalization is characterized through the relationship between Ultima and Tenorio. From the start, Ultima is described as the casing compass for the clean, protecting her community from the curses of evil witches. Tenorio, on the former(a) hand, takes his show as Ultimas arch-nemesis who shares his wicked daughters penchant for roughness and evil. The booking between these two characters perpetuates the majority of the plot in the novel and, although both characters die at the curiosity, Ultimas virtuousness and Tenorios evilness are maintained. However, as Antonio himself discovers, nigh(a) and evil are non so easy to distinguish. Although Ultima performs many good deeds, she kills two of Tenorios daughters with her counter curse, using pagan powers that go against Catholic beliefs. The calamity with the holy cross in Chapter 12 brings to light extra questions about Ultimas justice in the eyes of the church. Teno rios true evil is equally grueling to determine; his attempts to wrap up Ultima are only the result of his give care to penalise his daughters death.

In some novels, a bereavement father who seeks revenge would be the hero, rather than the antagonist. In both cases, neither character is easy to define as all in all good or wholly evil. Near the end of the novel, Anaya explains that the goodness of a person is determined solely by his or her actions. Within this framework, Ultima still possesses much more good in her nature than Tenorio does. However, it is clear that good and evil cannot be separate in a cl ear-cut way, and this is one of the more cr! ucial lessons that Antonio learns about life.If you want to get a abundant essay, site it on our website: OrderCustomPaper.com

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