5069 words lope de Vegas plays present the democratisation of honour without an undermining of the squiffy hierarchy to which Spains crumbling complaisant structure clung.         The accession of Charles V (1516-56) initiated that purpose of Spanish culture and history known as the halcyon Age: a prison term in which Spain bore reference work to a myriad of famous figures in both literary works and the arts, including the painters Velázquez and El Greco and the poets and writers St. Teresa de ÃÂvila, Cervantes and Quevado. Not least amongst these names would be those of the dramatists Tirso de Molina, crib de Vega and Calderón de la Barca, three writers linked inextricably with the Spanish comedia: a form of drama which they helped to make famous.         Yet by the end of the sixteenth century, Spain had lost control of much of its conglomerate as thoroughly as the majority of its once swell wealth, and the accession of Phil ip III (1598-1621) marked a time in which literary excellence and courtly splendour masked political, accessible and religious instability: the influx of American bullion had caused an inflationary spiral with which Spains economy was unable to cope, and now war, famine, pestilence and require filled the land.

The result was that the Spanish people moved by from the materialism that was increasingly denied them and embracing vaguer but less stabbing prizes: religion, honour, purity of blood and nobility. (McKendrick, 1989, p.4) This preoccupation with such ideals was founded on memories of the widen forth t ime that Spain society had witnessed constan! cy and solidity: the time in which the Catholic Monarchs, Ferdinand and Isabella (1474-1516), had united the kingdoms of Castile and Aragon by their marriage. As well as the religious orthodoxy and uniformity that was imposed with the establishment of the hunt in 1478, fundamental to this social order was the centralization... If you want to shit a full essay, order it on our website:
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